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ENTROPY lib
since 2021
LAb[au], Manuel Abendroth
various dimensions, raster of A4
A4 b/w copies framed and boxed
![entropy;lib, LAb[au]](https://static.wixstatic.com/media/fb1d51_36d3ac411ba34a86bd8dade83914e15d~mv2.jpg/v1/fit/w_1500,h_999,q_90,enc_avif,quality_auto/fb1d51_36d3ac411ba34a86bd8dade83914e15d~mv2.jpg)
![entropy.lib, LAb[au]](https://static.wixstatic.com/media/fb1d51_816d86fc194245f08379b787f7c5add5~mv2.jpg/v1/fit/w_1500,h_999,q_90,enc_avif,quality_auto/fb1d51_816d86fc194245f08379b787f7c5add5~mv2.jpg)
![entropy.lib, LAb[au]](https://static.wixstatic.com/media/fb1d51_c705ef3c9a554b68b60ed0dcfad1393a~mv2.jpg/v1/fit/w_2965,h_2225,q_90,enc_avif,quality_auto/fb1d51_c705ef3c9a554b68b60ed0dcfad1393a~mv2.jpg)
![entropy, LAb[au]](https://static.wixstatic.com/media/fb1d51_f17a5d564b084ec7a5f630fc0454c798~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_f17a5d564b084ec7a5f630fc0454c798~mv2.jpg)
![entropy, LAb[au]](https://static.wixstatic.com/media/fb1d51_ae835be7e2ce43389b123035dda6cc35~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_ae835be7e2ce43389b123035dda6cc35~mv2.jpg)
![entropy, LAb[au]](https://static.wixstatic.com/media/fb1d51_9d9a52fc3be842618cac833d66f39283~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_9d9a52fc3be842618cac833d66f39283~mv2.jpg)
![entropy, LAb[au]](https://static.wixstatic.com/media/fb1d51_77e3fadb0f094041b88aca78a1e94d4f~mv2.jpg/v1/fit/w_2170,h_2000,q_90,enc_avif,quality_auto/fb1d51_77e3fadb0f094041b88aca78a1e94d4f~mv2.jpg)
![entropy, LAb[au]](https://static.wixstatic.com/media/fb1d51_0b8d62b78ff54b0980bff6803b2bd5fa~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_0b8d62b78ff54b0980bff6803b2bd5fa~mv2.jpg)
Abstract
A blank page is copied, then each copy becomes the source for the next, until the page is black. Each set is unique, revealing the machine through its traces. Set after set, an archive of entropy emerges.
Information
The raster of A4, it's resolution depends the numbers of copies needed
...
![entropy.lib, LAb[au]](https://static.wixstatic.com/media/fb1d51_f65fff7c8027436aaa1e1d0ce885f55e~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_f65fff7c8027436aaa1e1d0ce885f55e~mv2.jpg)
![entropy.lib, LAb[au]](https://static.wixstatic.com/media/fb1d51_865694e16daf4b5b80d02e4b4c7f9108~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_865694e16daf4b5b80d02e4b4c7f9108~mv2.jpg)
![entropy.lib, LAb[au]](https://static.wixstatic.com/media/fb1d51_a24c982cc1ea483d885e4289405b9fbd~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_a24c982cc1ea483d885e4289405b9fbd~mv2.jpg)
text
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timeline
a first series has been realised with Els Vermang for:
2016 ___ Xerox group show, Socièté, Brussels
a second prototype has been shown in:
2021 ___ Ce mouvement qui déplace les lignes, La Patinoire, Brussels .lib
2022 ___ AXIOM #1, TOPO?, Brussels
2022 / 23 Zeit Zeichen Zeichen Zeit, Kunstmuseum, Heidenheim
2024 ___ POSSIBLES | PROBABLES, Botanique, Brussels
Collection
- privat collection, Paris
painting, LAb[au]'s artistic practice is organised in different sections: painting, writing, calculating, transcoding and in artworks, installations and site-specific projects
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