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LAb[au], Manuel Abendroth, Jérôme Decock, Els Vermang
Size: different formats
Technique: MDF, paint, flaps
![SignqlToNoise_Notation, LAb[au]](https://static.wixstatic.com/media/fb1d51_de010805d11f45f68be2c9fc64771063~mv2.jpg/v1/fit/w_3000,h_1356,q_90,enc_avif,quality_auto/fb1d51_de010805d11f45f68be2c9fc64771063~mv2.jpg)
![s-nNotation, LAb[au]](https://static.wixstatic.com/media/fb1d51_4a55a6228ed14bf68bd1cab1aaf47cfd~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_4a55a6228ed14bf68bd1cab1aaf47cfd~mv2.jpg)
abstract
Notating accidental letter fragments falling from the mechanism of the installation Signal to Noise, the works trace the moment where meaning dissolves into noise and noise begins to produce its own meaning.
format
diptych 2x 80x120cm
square: 60x60cm, 120x120cm
![SignalToNoise_Notation, LAb[au]](https://static.wixstatic.com/media/fb1d51_ad0b0d4c3fc44dbb90e001fbeb0ad76d~mv2.jpg/v1/fit/w_2450,h_2000,q_90,enc_avif,quality_auto/fb1d51_ad0b0d4c3fc44dbb90e001fbeb0ad76d~mv2.jpg)
text
Derived from the generative installation Signal to Noise, these notations extend the work's central question into a static form. Composed of accidental letter fragments, they draw the viewer into a maze of possible readings and interpretations. Yet no message is hidden within them. What appears as language remains suspended between noise and meaning, leaving the work as an open question to the viewer.
history
2014 ___ writing, drawing, painting - DAM Gallery, Berlin
2015 ___ rouge, vert, bleu - blanc - Centre des arts, Enghien-les-Bains
2016 ___ calculations, permutations,... ,The Major Gallery, London
2016 ___ Langage Codé, La Patinoire, Brussels
2020 - 21 YES: NO, PERHAPS, Mario Mauroner Contemporary, Vienna
2024 ___ painting, writing, calculating... Dan Galeria, Sao Paulo
collection
2 x 60x120cm diptych, private collection Austria
60x60cm, private collection, Belgium
120x120cm, private collection, Belgium
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